Ahead Or Behind Their Time? The Slits Don't Care
Trapped Animal is a healthy reminder of where we all came from.
The Slits
Trapped Animal
Released on Oct 20, 2009
About five years ago, a female companion and myself trekked down
to the fabled Fireside Bowl of Chicago to see Ari Up perform. I was
familiar with very little by the Slits but jumped at the chance to see
this treasured Jamaican import. Her entrance was nothing less than
spectacular, as spectacular as any bands' entrance at the Fireside
could be. You couldn't miss this tall Amazonian looking force with a
head full of tangled dreads and thrift store color. When her time came
she walked down the center of the crowd with DAT tape in hand. She
popped that sucker into her makeshift set-up and the room lit up into a
pulsating one woman exorcism. She was the high priestess of urban
carnality and the stage was her alter. So, it's with a welcomed return
that The Slits have reformed and released their first full length album
in over 25 years.
You couldn't ask for better timing for the Slits to come back into
the limelight. The radio friendly yet crass approach of Lily Allen,
and the social awareness of M.I.A. is a direct result of the Slits'
influence. Formed in 1976 at the height of the British punk movement,
The Slits all girl line-up forged a reggae infused punk sound that made
many a wave against the "boys only" punk aesthetic. Debut album, Cut, opened the door for Siouxsie Sioux, X-Ray Specs, and Lene Lovich; allowing them to speak up a bit louder than many of their male counter parts
Over 25 years later, Trapped Animal enters the scene as a
fresh and vital set of songs that in no way sounds dated. In fact, the
reoccurring themes of woman's empowerment, child abuse, and social
equality is quite refreshing against the current crop of indifferent
Brooklyn "A Certain Ratio" copy cats. Ari Up lets her signiture
freakiness out on tracks like "Peer Pressure" and pulls in the reigns
for some lazy island shade on the sublime "Cry Baby."
Trapped Animal is a reunion album that actually works. And
that's a big step because they never really do. But time has been kind
to the Slits' legacy. The signiture sound of their past is tapped into
well, but at the same a laid back chill takes charge of that sound for
the better of the band. Ahead of their time, before their time, lost
in time if you will.
High Point
"Lazy Slam" and "Reject" are vintage Slits coolness and should quiet any reunion elitists.
Low Point
"Babylon" trudges about, and flirts with Musical Youth territory. "Reggae Gypsy" is cute, but plays out like a demented Bar Mitvah.
Posted by Joe Roth on
Oct 29, 2009 @ 6:30 am
slits, trapped animal, review, fireside, ari up, siouxsie, banshees, x-ray specs, lene lovich